Narrator: Hongkong, isa ito sa mga lugar na dinadagsaan ng mga Pilipino, kasi naman kahitsaan mo tingnan talagang mas malaki ang kikitain dito kaysa duon saatin. Mabuti nalanguuwi na ako, matagal narin mula noong huli akong umuwi ng Pilipinas, 6 na pasko, 6 nabagong taon, 6 na birthday ng mga anak ko ang pinalampas ko.
Josie: dahil mahal ko kayo. Mahal na mahal ko kayo. ngayon sabihin mo sa akin, sinasabi mona hindi kita naiintindihan? bakit Carla? ako ba inintindi kahit minsan, sana kahit minsanbinigyan mo ng halaga ang lahat ng pag-hihirap ko sa inyo, lahat ng sakripisyo ko, sanatuwing umiinom ka ng alak, habang ginagastos mo ang pera na binibigay ko, sana maisip morin kung ilang pagkain ang tiniis ko na hindi kainin para lang makapagpadala ako ngmalaking pera dito. Sana maisip mo rim kahit kunti! kung gaano kasakit sa akin ang mag-alaga ng mga batang di ko kaano-ano samantalang kayong mga anak ko hindi ko man langmaalagaan! Alam mo ba yun kung gaano kasakit yun sa akin bilang ina? alam mo ba kunggaano kasakit iyon? Kung hindi mo kayang ituring ako bilang isang ina, respetuhin mo nalang ako bilang isang tao. Yun lang ang kailangan ko, yun lang Carla, yun man lang!
Movie Script For ANAK
Lino Brocka's Mother, Sister, Daughter tops the current crop of 1979 movies because it has a strong, simple theme that gives Mel Chionglo's story and screenplay a unity most current scripts lack. Mother, Sister, Daughter is the story of two daughters who vie for their father's love. Emilia cannot understand why her father does not love her in spite of all her sacrifices. Pura, born out of wedlock, is the favoured daughter, but she cannot understand why her love for the man she wants is not enough to make him see that she is better than Emilia, who seduces him into marriage. Both women find it difficult to realize that love cannot be possessed. Both are hardened by this obsession, and their rivalry blights their love. Pura comes to an uneasy understanding of their situation, and there is hope that she finally would attain some sort of peace. But Emilia, though calmed by her father's death, is still dazed and cannot understand why she has been made so unhappy by the events in their lives.This theme, that man cannot demand love from another, that it must be freely given (in the same way that we cannot demand that God loves us or shower us with special favours) is intertwined with sub-themes: the sub-theme of pride which will not bow to the ravages of time. After twenty years, Emilia still sees Pura as the bastard daughter who has no right to set foot in their house. After twenty years, Pura still harbours revenge in her heart, wishing dire poverty on Emilia, who stole the man she loved, when Emilia could not steal her father's love. (Pio de Castro, Expressweek, 1979)
When it comes to a movie, all you probably have to do as the audience is grab your popcorn, sit back and watch. At the end of the film, you give accolades to the actors, the director and the screenwriter, but, most times, the producer or production company is left out. Series of stages are involved right from the ideation moment until it becomes a masterpiece displayed on the screen. And it is usually the producer who makes things fall in place.
The first day on any movie set is not when everything related to shooting the film commences. The first production stage is called pre-production, where all the planning goes down and where imagination begins to find life. Pre-production defines how successful the production process and the overall outcome of the movie will be. It starts once the script is ready and forms the foundation for which all other stages will be built. The steps involved in pre-production are:
Filmmaking is mainly about collaboration. Behind every great movie lies spectacular crew members. While some directors already have crew members they work with from time to time, new crew members might be hired depending on the project. Some of the crew members for any film production include the director, director of photography, gaffer, production designer, location manager, script supervisor, etc.
A budget sets the pace for how much will be done, the locations and the cast or crew members you can access. Based on the outcome of the script treatment and subsequent costing, the producer decides if the existing budget is feasible. If going ahead with all the current plans is expedient, the producer can scout for (more) sponsors or partners to beef up the budget.
Storyboards and shot lists are created from the script. They are used to give a clear idea of how your scene will play on screen. It is a visual interpretation of the scenes and acts as a reference for the director and cinematographer during the shoot. Some directors can create it if they know what they want, but most times, a storyboard artist is hired to bring the story to life.
Productions can last for as short as one day; in some cases, they last for years. The movie which holds the record for the most prolonged time frame for production is The Other Side of the Wind. It was in the production stage for 48 years(1970-2018). Some others include BalikBayan #1: Memories of Overdevelopment Redux VI, which was in production for 38 years, and Avatar 2, which was in production for 12 years.
Think of your favourite movie; what makes it tickle your fancy so much? The characters? The visuals? The dialogue? All those come from a well-written script. Without a film script, there is undoubtedly no film. A script is the blueprint of a film; it encompasses the visual and auditory features of the story. It describes the characters and the actions they will take explicitly such that the filmmakers can envisage them, capture their essence and bring them to life.
A memorable script consists of suspense or twist, steering emotions along with it. It consists of lines that can resonate with the audience, stick with them and earn a special place in their hearts and their list of top-ranking movies. To take your scriptwriting game up a notch, here are some pointers to consider:
Linear structure: This structures your story in a simplified and direct manner. It can include flashbacks, but most of it is told in the exact order it occurs. Most movies take this pattern, a good example is The Wedding Party.
Nonlinear structure: This type of structure tells the story in a disjointed way. They can take a form such as flashforwards, flashbacks or dream sequences. A great movie that takes this format is the Citation.
The demeanour of the characters you write about needs to be captivating enough to make the audience emotionally invested in them. Every film character plays a role in a film, either as a lead, supporting or an extra; hence, how they are written about has to fit into how relevant they are to the story. Here are some tricks to help you when writing about your movie characters:
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